Contents:T. S. Eliot: In his time and in ours -- Tapan Kumar Basu Dissociation in "Dead land": The primitive mind in the early poetry of T. S. Eliot -- Marc Manganaro Tradition and the individual talent in "Purfrock" -- Stanley Sultan On "Gerontion" -- Denis Donoghue "He do the police in different voices": the design of The Waste Land -- Jonathan Bishop Eliot's ritual method: Ash Wednesday -- Linda Leavell The infirm glory of the positive hour: Re-conversion in Ash-Wednesday -- Melissa A. Eiles Poetry as a contemplative analogue: a study of four quarters -- Rama Nair Substitutes for Christianity in the poetry of T. S. Eliot -- Jewel Spears Brooker The Rooted Bard and The Rootless Satirist: tradition and modernity in Yeats and Eliot -- Sonjoy Dutta-Roy Ghosts from the What might have been: T. S. Eliot's plays of Anti-naturalistic analysis -- Armin Paul Frank Murder in the cathedral: an analysis -- Verendra Kumar Roy "The death of the author": T. S. Eliot and contemporary criticism -- Rajnath T. S. Eliot, W. B. Yeatsand 'Tradition' -- Vinod Sena Nathaniel Hawthorne and T. S. Eliot's American connection -- Ronald Bush "Of Derby Day and the music of Elgar": An essay on the cultural politics of T. S. Eliot -- Tapan Kumar Basu
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