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She stoops to conquer / by Oliver Goldsmith

By: Goldsmith, Oliver.
Contributor(s): Ranger, Paul.
Material type: TextTextSeries: Macmillan Master Guides.Publisher: London : Macmillan, 1985.Description: vi, 89p. 21 cm.ISBN: 0333383621; 9780333383629.Subject(s): ENGLISH | ENGLISH LITERATURE | ENGLISH LITERATURE -- STUDY AND TEACHING | ENGLISH LITERATURE -- HISTORY AND CRITICISMDDC classification: 820.9
Contents:
The theatrical context The eighteenth century patent The page on the stage Staging as a study method Oliver Goldsmith: life and background Youthful days Goldsmith the writer Demise and remembrance Summaries and critical commentary Synopsis Summaries and commentary Themes and issues An overview of the chapter The Georgian repertoire Sentimental comedy Disaffection for sentimental comedy Literary devices in the play A mirror of the times Tailpiece Technical features The form and structure of the play The unity of the play The principal characters Language An examination of two selected passages The encounters A parody of sensibility A contrasting encounter The critical reception The first performance The critical response Establishment in the repertoire The revival at the National Theatre
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Books Books HCC Seminar Library General Stacks 820.9 GOS (Browse shelf(Opens below)) Available 86-4

Includes revision questions and further reading

The theatrical context The eighteenth century patent The page on the stage Staging as a study method Oliver Goldsmith: life and background Youthful days Goldsmith the writer Demise and remembrance Summaries and critical commentary Synopsis Summaries and commentary Themes and issues An overview of the chapter The Georgian repertoire Sentimental comedy Disaffection for sentimental comedy Literary devices in the play A mirror of the times Tailpiece Technical features The form and structure of the play The unity of the play The principal characters Language An examination of two selected passages The encounters A parody of sensibility A contrasting encounter The critical reception The first performance The critical response Establishment in the repertoire The revival at the National Theatre

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